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23/09/2022

Take Me to Your Leaders: Gypsophilia

Art collectives are cropping up all round Manchester – and it’s with good reason. No one said being an artist was easy, but, if you’re compelled to make, and have little interest in trudging through paperwork and unpaid “opportunities,” what is to be done?

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29/07/2022

The Queer Art of Success: Gabriel Kidd

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13/07/2022

Combine the Absurd with the Vulgar: Bora Akinciturk

‘This is art for 2022 - a year of excess after the coronavirus’: CONCRETE speaks to Bora Akinciturk, the multidisciplinary artist who grapples with the mighty and the mundane through his bold and modern work.

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24/05/2022

The Official CONCRETE Guide to A Modest Show

From the impartial position of journo, CONC editor inspects A Modest Show's menu.

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16/05/2022

“Arresting and Demands Attention”: Refractive Pool

CONCRETE reviews the Walker Gallery's 'Refractive Light' and shares our favourite works in this group show.

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10/05/2022

Tough Day at the Office: CONCRETE Invades Annabelle Richmond Wright’s Studio

CONCRETE invades Annabelle Richmond Wright's studio after she wins the HOME Open.

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06/05/2022

To Be Open and Generous: Fleur Yearsley

CONCRETE met Fleur Yearsley

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16/04/2022

Half Awake at Bankley Gallery

CONCRETE reviews Bankley Gallery's 'Half Awake' and finds the devil is in the detail.

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05/04/2022

“Witches Brew”: A Reflection on Bruce Asbestos’ Art and the Role of the Artist in Today’s Society

Off the back of his latest show 'OK! Cherub!' at the Bluecoat in Liverpool, CONCRETE spoke to Bruce Asbestos and reflected on the role of the artist in our time.

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23/03/2022

Good Neighbours, Good Friends

Meet the photographers in Manchester who are redefining street photography.

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19/03/2022

International Man of Mystery: Tomas Gittins

CONCRETE met Tomas Gittins, the tangent king whose brightly coloured 'poortraits’ are blowing up fast.

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15/03/2022

What a Carve Up! Damien Hirst at Gagosian.

CONCRETE considers Hirst’s infamous shark in a tank to offer a perspective on the artist’s latest show and to critique it while upholding his influence on art today.

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